LiberaToe Pedal & Module
D1. Proud Adams Envelope Filter & Fuzz (PF051) Limited Edition
Proud Adams is a dual-channel effects equipped with filter and fuzz. The filter section combines both features of an envelope filter and auto wahwah to achieve a real-time selection of the high and low frequencies by toggle or foot switch, which can be used for both guitar and bass by covering a range of tones from screaming to wobble. The fuzz section reproduces a 60s vintage fuzz tone, which ranges from soft fuzz to roaring, and the impedance knob can be dialed to give a wide range of tones, from sticky to crisp distortion. Depending on the direction of the toggle, you can create diverse tones instantly by selecting two channels Filter / Fuzz, High / Low Filter, or Fuzz / Filter going Fuzz. As this heterogeneous effect features Fuzz, it is preferred to locate the unit in front of the effects chain.
For those who want to get the effect of human speaking through picking nuances, those who want fuzz with the advantages of both germanium and silicon devices, and those who want to use the envelope filter and the fuzz via two channels to use each or together, the Proud Adams Envelope Filter & Fuzz is recommended. Now you can create diverse tones on a small pedal board using a heterogeneous dual-channel effects.
D2. Baron Ashura Compressor & Noise Suppressor (PF061) Limited Edition
Baron Ashura is a dual-channel heterogeneous effect in which the compressor and noise reduction are integrated. Almost all of the knobs found in rackmount compressors are equipped in Baron Ashura to provide release, attack, and level, as well as compression ratio and threshold, so you can create the compression timbre you often need during play. Covering very long time to very short release, you can use both the clean backing and bass techniques, as well as taking advantage of the mix between original attack and sustain, depending on the dialing of the attack knob. A superb built-in noise reduction function eliminates the typical noise that occurs at the end of a sustain, and unlike the noise gate that abruptly removes the entire signal, Baron Ashura's noise reduction function can adjust the attenuation sensitivity and can be used independently. Therefore, when placed in front of a dirty effect, such as distortion, Baron Ashura can reduce the waiting and sustain noise - particularly single coil noise - with elegance.
For those who need noise reduction together with a compressor with full knobs - release, threshold, and attack - and for those who want to create as many tones on a small pedal board using a pedal with two different functions, Baron Ashura is ideal.
D3. BearAss Compressor & Fuzz (PF211)
Bear Ass Compressor & Fuzz is a dual channel effect that integrates compressor and fuzz to an exceptional quality. The compressor unit is ambidextrous to provide a role of sustain & boost as well, whilst maintaining the attack and creating a natural compression. Therefore, while the compressor works on the green channel, the sustain & boost function operates on the red channel. The fuzz section covers a wide range of tones from sticky to a substantial amount of outrageous thump, allowing you to change timbres just by the fingers controlling an instrument’s volume knob.
When the toggle switch is down, the compressor (front) and fuzz (rear) work together to create a relatively soft tone on the green channel. This means that with the fuzz you can set two different sounds for each of the green and red channels to choose between the two fuzz tones and according to your needs. Unlike typical fuzz, this fuzz can be placed anywhere in the effect chain. This effect can also be used for the bass.
D4. Gnavatar Parallel Loop (PF141) Limited Edition
Gnavatar Parallel Loop is a multi-functional loop and tiny mixer. Its basic purpose is to provide parallel synthesis between two external signals and dry signals. Depending on the toggle setting, two loops can be mixed separately with dry signal, or only two loops themselves are mixed in parallel, or you even can mix three lanes including the dry signal.Loop 2 is equipped with an invert toggle that reverses the phase, preventing the sound from cancelling out when parallel synthesizing between the effects of opposite phases, and Loop 2 also has an dependent volume to adjust the signal level to the SEND 2 jack. The master volume also is equipped to control the entire level. Depending on the selection of the toggle, it can be used simply as an A / B loop function. As almost all functions that can be obtained from the parallel mix implementation available in the Gnavatar Parallel Loop, it is easy to make creative tones.
For those who play or record in diverse situations, such as mixing up to three loops including a dry signal, or to use them as a simple A / B selector, and for those who want to deal with the case of reversed phase of the loop as well as control of the entire mixed volume, Gnavatar Parallel Loop is recommended.
* As this unit supports half-normalled send return, it also processes the signal evenly if the return jack is only plugged in and the send jack is unplugged. Even when both return and send jacks are unplugged, dry signals flow through the loop. The original signal may be split into two or three branches depending on the toggle setting.
D5. Holy Belly BassEQ (PF071)
Holy Belly is a dual-channel equalizer and boost for bass. When the toggle switch is up, the green channel acts as the EQ(13dB range of TMB tone stack, 6dB slope/octave) and the red channel acts as both the EQ and boost(22dB). This allows you to fine tune the treble, middle and bass knobs smoothly from the hump tone wherein the middle stands out to the scooped tone of the low and high up, with various tones produced based on the channel and toggle selection. When the toggle is down, as an EQ and boost, mid is fixed at noon on the green channel. In this setting, the tone can be set according to the amount of bass and treble, but the red channel allows for additional control of the middle. Holy Belly is an indispensable EQ & Boost that can be used for almost all needs of a bass player, enabling you to produce total four tones instantly.
Holy Belly Bass EQ is recommended for those who want to control the bass tones precisely with two channels of TMB, for those who want to use the EQ as well as boost, and for those who want to experience multiple tone possibilities on a smaller pedal board.
D6. Bentham Bass Overdrive (PF201)
Bentham Bass Overdrive produces a wide range of tones from elegant softness to punchy and raw brutal tones to meet the needs of modern bass play, and to create almost any dirty bass tone imagineable. In order to apply the distorted effect that is produced naturally by the loudness of a tube amplifier, the elements close to the distortion effect of a tube have been carefully selected. The amplification and frequency filter stages have also been improved upon with a cascading circuit to solve the limitations of a classic bass overdrive.
Even when you increase the gain, you can linearly produce the desired furry texture and ferocity linearly and without any flabbiness. You can control the chic treble with the tone knob, select the desired two tones with the 3-position toggle, and then adjust the gain and volume knobs per channel. It can respond immediately to your improvisation requirements and a number of playing styles.
D7. Purple Buffer (PFPB1)
LiberaToe's Purple Buffer prevents the loss of treble and to have the nearest frequency balance to the original sound of the guitar based on conservation technology. Wherever it is placed on the pedal chain, it keeps the warm mid-range and the beautiful breezing high end, as well as the solid low end; consequently, a higher quality guitar has the advantage of preserving the original sound better.
Thanks to the advantage of the mid-range having elastic properties, it shows an almost identical frequency band to the guitar signal without harshness, which typically is heard with many buffers. And the tone deformation is also very little even at the overlapping of the buffers.
Purple buffer has a footswitch that typically is excluded from most buffers, so that a player can decide whether to use a separate buffer and depending on the pedals in the chain.