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B1. Bentham Bass Overdrive   (PF201)

Bentham Bass Overdrive produces a wide range of tones from elegant, soft and punchy to raw and brutal to meet the varying needs of a modern bass, thus creating almost any dirty bass tone you can imagine. In order to apply the distorted effect that is produced naturally by the loudness of a tube amplifier, the elements close to the distortion effect of the tube itself are selected carefully. The amplification and frequency filter stages have also been improved with a cascading circuit to solve the limitations of the classic bass overdrive.

Even when you increase the gain, you can linearly produce the desired furry texture and ferocity without any flabbiness. You can control the chic treble with the tone knob, select the desired two tones with the 3-position toggle, and then adjust the gain and volume knobs of each of the green and red channels. It can respond immediately to your improvisation requirements and among a number of playing styles.

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B2. Boostequila Boost & EQ   (PF221)

Boostequila Boost EQ is the dual channel boost & equalizer you need. If you've experienced your tone getting buried among other players in mid and high ends, then with Boostequila you can make your sound prominent without increasing the volume that may sometimes break the balance of your band. Boosting the mid can help output a punchy tone while increasing mid frequencies to produce a growl-like sound by pushing the amplifier. In opposite, reducing the mid frequencies while boosting the low-mid and upper frequencies help to create both fat and crisp textures. In this case, although the low end is emphasized, you can achieve a clear tone while generating full harmonics. The TREBLE controls are special, in that they make high notes not too thin nor too harsh, which are common with typical treble settings on boost pedals.

Boostequila Boost EQ instantaneously transformation between sparkling single coil and thick-sounding humbucker, depending on the adjustment of TMB combination. Thanks to the monstrous volume, Boostequila can act as an active EQ boost, helping the opulently level-up of frequencies produced by your guitar.

Holy Belly
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B3. Holy Belly Bass Equalizer   (PF071)

Holy Belly is a dual-channel equalizer and boost for your bass. When the toggle switch is turned up, the green channel acts as the EQ(13dB range of TMB tone stack, 6dB slope/octave) and the red channel acts as both the EQ and boost(22dB). This allows you to smoothly fine tune the treble, middle and bass 3 knobs from the hump tone wherein the middle stands out to the scooped tone of the low and high up; as a result, the desired tone selection becomes available for each channel. When the toggle is turned down, it acts as an EQ and boost, whereby the mid is fixed at noon on the green channel. In this setting, the tone can be set according to the amount of bass and treble, and switching to the red channel then allows for additional control of the middle. Holy Belly is an indispensable EQ & Boost that can be used for almost all needs during bass performance, enabling you to produce a total of four tones instantly.

Holy Belly Bass EQ is recommended for those who want to  precisely control the bass tone with two  channels of TMB, for those who want to use the EQ fuction as well as the boost fuction, and for those who want to have all the flexibility on a smaller pedal board.

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B4. BearAss Compressor & Fuzz (PF211)

Bear Ass Compressor & Fuzz is a dual channel effect that integrates compressor and fuzz to an exceptional quality. The compressor unit is ambidextrous to provide a role of sustain & boost as well, whilst maintaining the attack and creating a natural compression. Therefore, while the compressor works on the green channel, the sustain & boost function operates on the red channel. The fuzz section covers a wide range of tones from sticky to a substantial amount of outrageous thump, allowing you to change timbres just by the fingers controlling an instrument’s volume knob.

When the toggle switch is down, the compressor (front) and fuzz (rear) work together to create a relatively soft tone on the green channel. This means that with the fuzz you can set two different sounds for each of the green and red channels to choose between the two fuzz tones and according to your needs. Unlike typical fuzz, this fuzz can be placed anywhere in the effect chain. This effect can also be used for the bass.


Baron Ashura
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B5. Baron Ashura Compressor & Noise Surpressor (PF061) Limited Edition

Baron Ashura is a dual-channel heterogeneous effect in which the compressor and noise reduction are integrated. Almost all of the knobs found in rackmount compressors are equipped in Baron Ashura to provide release, attack, and level, as well as compression ratio and threshold, so you can create the compression timbre you often need during play. Covering very long time to very short release, you can use both the clean backing and bass techniques, as well as taking advantage of the mix between original attack and sustain, depending on the dialing of the attack knob. A superb built-in noise reduction function eliminates the typical noise that occurs at the end of a sustain, and unlike the noise gate that abruptly removes the entire signal, Baron Ashura's noise reduction function can adjust the attenuation sensitivity and can be used independently. Therefore, when placed in front of a dirty effect, such as distortion, Baron Ashura can reduce the waiting and sustain noise - particularly single coil noise - with elegance.

For those who need noise reduction together with a compressor with full knobs - release, threshold, and attack - and for those who want to create as many tones on a small pedal board using a pedal with two different functions, Baron Ashura is ideal.

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B6. Camus Overdrive (PF081)

Camus Overdrive is a state-of-the-art classic overdrive reincarnation, featuring new technologies that help deliver a full range of tones. In addition to levels, there are two sets of gains and tones, so you can instantly select two channels while playing, e.g., self-overdrive gain with higher gain or low gain setting to boost other overdrives or distortions. Therefore, Camus Overdrive is able to act as two overdrives integrated into an A/B loop. Furthermore, the Rawk knob is equipped to complement the bass response gracefully, which often is lacking in vintage gear. Fat toggles also can be assigned to each channel, providing the best performance and function in the overdrive and boost series with a high headroom.

Camus Overdrive is recommended for those who want to use the two channels for different purposes, so that they can be used as a boost as well as a sole overdrive having high headroom, for those who want to select the Fat tone in any case where both channels are used.

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B7. Copernicus Chorus (PF041)

Copernicus Chorus is a modulation effect that brings the classic 80s chorus to life. With all the adjustable elements in the chorus, you can mix the original and modulated notes as you like, or tweak the tone of the end-mixed notes to cover them from dim to sharp tones. Copernicus Chorus also is equipped with a level to compensate for unwanted volume fluctuations that often occur when a dirty series is placed at the front, maintaining a uniform volume level. Like other products in the LiberaToe series, it supports dual channel, allowing you to choose different speeds and rumbles. The indicator LED flashes according to the speed and supports a wide range of modulation effects, from vibrato to deeper chorus.

For those who want a warm vintage tone of the classic chorus based on a transparent bypass with less coloration, but want to play on two channels with different modulation speeds and depths, and for those who want to make more precise chorus sounds by adjusting mix and level as well as tone, or for those who want to create a wide variety of tones on a small pedal board, Copernicus chorus will achieve those goals.

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B8. Proud Adams Fuzz & Envelope Filter (PF051) Limited Edition

Proud Adams is a dual-channel effects equipped with filter and fuzz. The filter section combines both features of an envelope filter and auto wahwah to achieve a real-time selection of the high and low frequencies by toggle or foot switch, which can be used for both guitar and bass by covering a range of tones from screaming to wobble. The fuzz section reproduces a 60s vintage fuzz tone, which ranges from soft fuzz to roaring, and the impedance knob can be dialed to give a wide range of tones, from sticky to crisp distortion. Depending on the direction of the toggle, you can create diverse tones instantly by selecting two channels Filter / Fuzz, High / Low Filter, or Fuzz / Filter going Fuzz. As this heterogeneous effect features Fuzz, it is preferred to locate the unit in front of the effects chain.

For those who want to get the effect of human speaking through picking nuances, those who want fuzz with the advantages of both germanium and silicon devices, and those who want to use the envelope filter and the fuzz via two channels to use each or together, the Proud Adams Envelope Filter & Fuzz is recommended. Now you can create diverse tones on a small pedal board using a heterogeneous dual-channel effects.

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B9. Gnavatar Parallel Loop   (PF141) Limited Edition

Gnavatar Parallel Loop is a multi-functional loop and tiny mixer. Its basic purpose is to provide parallel synthesis between two external signals and dry signals. Depending on the toggle setting, two loops can be mixed separately with dry signal, or only two loops themselves are mixed in parallel, or you even can mix three lanes including the dry signal.Loop 2 is equipped with an invert toggle that reverses the phase, preventing the sound from cancelling out when parallel synthesizing between the effects of opposite phases, and Loop 2 also has an dependent volume to adjust the signal level to the SEND 2 jack. The master volume also is equipped to control the entire level. Depending on the selection of the toggle, it can be used simply as an A / B loop function. As almost all functions that can be obtained from the parallel mix implementation available in the Gnavatar Parallel Loop, it is easy to make creative tones.

For those who play or record in diverse situations, such as mixing up to three loops including a dry signal, or to use them as a simple A / B selector, and for those who want to deal with the case of reversed phase of the loop as well as control of the entire mixed volume, Gnavatar Parallel Loop is recommended.

* As this unit supports half-normalled send return, it also processes the signal evenly if the return jack is only plugged in and the send jack is unplugged. Even when both return and send jacks are unplugged, dry signals flow through the loop. The original signal may be split into two or three branches depending on the toggle setting.

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